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Note: Not all features described in the user guide are included in all versions of Pinnacle Studio. For more information, please visit www.
Abbreviations and conventions This guide uses the following conventions to help organize the material. LINK interfaces, ports and cables. Buttons, menus, dialog boxes and windows Names of buttons, menus and related user interface items are written in bold to distinguish them from the surrounding text.
Depending where you click, a context menu may pertain either to an editable object like a clip on an editing timeline , to a window, or to a zone such as a control panel. Once open, context menus behave just like the ones on the main menu bar. Context menus are available in most parts of the Pinnacle Studio interface.
Our documentation generally takes for granted that you know how to open and use them. A plus sign denotes a key combination. Please refer to Appendix D: Keyboard shortcuts for a comprehensive table of available shortcuts. Help and Tooltips Immediate help is available while you are working in Pinnacle Studio via the Help menu.
Help The Help menu lets you access a variety of learning resources. Training is in English only. Tool tips To find out what a button or other Studio control does, pause your mouse pointer over it. Upgrading There are different versions of Pinnacle Studio and features vary depending on the version you have.
The same steps apply to any type of production, from an unpretentious slideshow with dissolves between each frame to a 3D extravaganza containing hundreds of carefully-arranged clips and effects.
The Importer Import on the right, is a preparatory step. The Pinnacle Studio Importer provides tools for these tasks, along with a Snapshot feature for grabbing frames from video files, and a Stop motion tool for building up video frame-by-frame.
File menu import commands: Choosing Import from the file menu has the same effect as clicking the Import tab: it opens the Importer. The menu provides three other import-related choices as well. Each of Chapter 1: Using Pinnacle Studio 5 Page 16 these opens a Windows file dialog to permit import of files from a hard drive or other local storage. By the time you get to this stage, the hard part of the task is behind you. The creative energy that went into making your movie has paid off in a production that now lacks only one ingredient—an audience.
Create a digital movie file in the format of your choice, burn a DVD, or upload directly to destinations in the Cloud like YouTube and Vimeo, or to your personal Cloud-based storage area. Like the Importer, the Exporter opens in a separate window, and returns to the main window after its work is done.
The central tabs The three central tabs, Library, Movie and Disc, are where most of your work in Pinnacle Studio takes place. Chapter 1: Using Pinnacle Studio 7 Page 18 The other tabs open the two project editors, one for digital movies, and the other for disc projects, which are digital movies enhanced with interactivity in the form of DVD menus.
The Library The Library is a cataloging and management tool for all the file-based resources — or assets — that you can draw on when authoring. Almost all of the materials of your movie — video footage, music and audio files, and many specialized resources such as transitions and effects — originate as assets in the Library. Many Library assets are supplied with Pinnacle Studio, and are available for royalty-free use.
These include professionally-designed titles, DVD menus, sound effects and more. The Library uses project bins to organize assets. Project bins are virtual folders for your assets. They are created automatically during import and you can create them manually to organize your assets according to your needs for example, by project.
You will also see a Library Media branch if Pinnacle Studio detects a library from a previous version of Pinnacle Studio you must enable watchfolders if you want to continue populating this branch.
Main view When you click the Library tab, the Library takes over the main window. The primary purpose of the compact view is to allow assets to be brought into a movie or disc project from the Library by drag-and-drop. The main view of the Library consists of navigation controls for exploring media assets left and a browser for examining and selecting assets right.
Player The tools available from within the Library include the Player, a viewer that works for all media types handled by the application. When used from the main view of the Library, the Player opens in a separate window. When the compact Library is used, an embedded version of the Player appears in the same window.
Chapter 1: Using Pinnacle Studio 9 Page 20 Previewing a Library video asset in the resizable Player window, with full transport controls including a shuttle wheel. You can keep working in the main window while the pop-up Player is open. The next step The next step, once you know your way around the Library and have made any changes needed to the default set-up, is to start creating a movie.
There are two ways to go about this. The usual way If you want to exert detailed control over the way media assets are used in your production, you will usually start building your movie or disc project from scratch in one of the two project editors. These are described below. Clicking SmartMovie at the bottom of the Library main view opens an extra tray of controls.
With either of these you select some visual media assets to serve as the basis of the project, choose music for a soundtrack, and make a handful of other customizations. Then the software takes over, automatically generating a full-scale Pinnacle Studio project containing the media and options requested. You can export the project immediately, or edit it further by hand as you choose. If you are working on a disc production specifically, you can immediately start work in the Disc Editor, which is just like the Movie Editor but has extra tools for creating and setting up DVD menus.
Once your movie is completed, you can export it to the Disc Editor and add in the menus. The Movie Editor and the Disc Editor exist side-by-side, but apart from the export feature just mentioned, they do not interact. If you want, you can have a regular movie project and a disc project loaded simultaneously, and switch from one to another at will.
Both project editors include embedded versions of the Library and the Player in addition to the timeline display.
Timeline editing, a central activity in project authoring. The media editors Additional windows are often needed for working with particular types of media. In general, you can open an editor window appropriate to any asset or clip by double-clicking the item.
When invoked from the Library by doubleclicking an asset , each of these editors provides a suite of correction tools appropriate to its media type. These tools can be applied directly to Library assets in order to remove camera shake from video, trim unwanted material from a photo, or suppress audio hiss, to give just a few examples. When a correction is applied to a Library asset, the media file is not modified. Instead the correction parameters are saved in the Library database.
They can be altered at any time, or removed, as your needs dictate. The corrections you make in the Library are brought with the asset when you add it to your project timeline as a clip. Corrections from the timeline When you open one of the standard media editors by double-clicking a timeline clip, the correction tools are again available, although in this case they apply only to the clip in the project, not to the underlying Library asset.
Transitions and Effects When they are invoked from the project timeline, the media editors also offer effects, which cover a wide-range of enhancements in all three media types in the transition in, transition out, and effects groups. Transitions let you punctuate the passage of one clip to the next with anything from a barely perceptible dissolve to an audience-awakening flare. Effects can be animated with keyframed parameter changes to any degree of complexity.
They provide innumerable ways to add creative interest to your productions. Some effects are particularly designed for 3D material. Pan-and-zoom The Photo Editor provides one more tool, pan-and-zoom, of its own. Like the effects just discussed, pan-and-zoom can be animated with keyframes to create any desired combination of simulated pan and zoom camera moves within the boundaries of a single photo.
The Player The Player is a preview screen in which you can examine Library media, play back your movie project, work on disc menus, and much more. In each window or context in which it is used, the Player exhibits somewhat different controls.
Pinnacle Studio Projects The movies and discs that you create in Pinnacle Studio are distilled from the projects that you build on the timeline of the Movie Editor or the Disc Editor.
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